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"I suffer nothing: I have no pain now. I am inexpressibly, happy," replies he, with a smile radiant, though languid. Forgetful of his unfortunate state, he raises his other hand, and, bringing it across the bed, tries to place it on Mona's. But the action is too much for him. His face takes a leaden hue, more ghastly than its former pallor, and, in spite of an heroic effort to suppress it, a deep groan escapes him. "Where's the docther at all, at all?" says he, forcing Geoffrey into a chair, and turning to Biddy, who is standing open-mouthed in the doorway, and who, though grieved, is plainly finding some pleasure in the situation. Being investigated, she informs them the "docther" is to-night on the top of Carrigfoddha Mountain, and, literally, "won't be home until morning." Geoffrey happening to be present when this flattering remark is made, Violet turns to him and says impulsively,—.

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"Where has Mona taken the duchess?" asks Lady Rodney of Sir Nicholas half an hour later. There were those who said she clung to him because of his wonderful likeness to the picture of his grandfather in the south gallery, Sir Launcelot by name, who in choicest ruffles and most elaborate queue, smiled gayly down upon the passers-by. On the right side of the fireplace, lying along the wall, is a rude stretcher,—or what appears to be such,—on which, shrouded decently in a white cloth, lies something that chills with mortal fear the heart, as it reminds it of that to which we all some day must come. Beneath the shroud the murdered man lies calmly sleeping, his face smitten into the marble smile of death. "Aren't you?" says Mona, in her tender fashion, that implies so kind a doubt. Raising one hand (the other is imprisoned), she draws his face down to her own. "I wouldn't have you altered in any way," she says; "not in the smallest matter. As you are, you are so dear to me you could not be dearer; and I love you now, and I shall always love you, with all my heart and soul.".